From the New Yorker. At the Met! Oops i didn't add the gallery.

James designed several outfits with an adjustable fit, so that two sizes accommodated most figures. The infinity scarf and the wrap dress were his inventions, as was the down jacket—a puffer for evening in ivory satin, which Dali admired as a "soft sculpture." One of James's novelties was a proto sports bra.

By rights, he should be remembered, like Chanel, as one of those revolutionary pragmatists who changed the way that women dress. But James was often too early to get credit for his breakthroughs. He introduced an A-line coat ten years before Yves Saint Laurent, who had just taken over at Dior, made headlines with the Trapeze dress. It must also be said that Chanel and Saint Laurent focussed on women's lives, while James fixated zealously on their proportions. "The feminine figure," he believed, is "intrinsically wrong," i.e. not platonically ideal by his standards. His mission to correct its flaws with a nip and a tuck, an arcing seam, a buckram implant, a cushion of air between skin and cloth diminished his relevance, even as it enhanced his prestige as an anatomist. The young find remedial fashion intrinsically uncool.